Participants & Inspiration

Thank you to all those participated, some of whom included:

Darlene Charneco

Kelly Dennis

Jeremy Dennis

Josh Halsey

Molly Joyce

Hugh Ryan

Kira Alker

Kendra Mace Clark

Valley Bak

Ann Coppola

Kimberly Goff

Patti Robinson

Kerstin Cott

Pierre Cote

Nathaniel Cote

Susan Ruocco

James Maroulas

Elizabeth Maroulas

Audrey Kurz

Jason Kurz

Ethan Kurz

Evan Kurz

Grant Kurz

Caleb Kurz

Giancarlo Biagi

Sarah Halsey

Emily Halsey

Gail Orenstein

Mercedes Charneco

Nestor Charneco

Heather Dune

Josie Perl

Patti Robinson

Kendra Pedersen

Jennifer Hartman

Tom Oleszczuk

Heide Rain

Denise Silva-Dennis

Brnet Timbol

Jerome Liggon

Tyus Gholson

as well as many other community participants

Special thanks to Amy Kirwin & Emily Dowd who made the project happen.

*****

Some thoughts on inspiration…

I savor those moments when fragmented elements and impulses wiggle themselves into formation. The Radiance Project fuses together ideas that have been percolating from past art endeavors, including my studio practice, community work, and as an educator, dancer and multi-media artist.

I am passionate about arts education as a platform to explore the creative process. For over 25 years, most recently at The Watermill Center, I am fortunate to have collaborated with other artists, teachers, and community leaders to propose innovative approaches to arts education. I envision myself as a weaver and synthesizer among diverse bodies.

As a practicing artist, I was drawn to work outside the studio & in the community after having my son and moving to Eastern Long Island. Over time a parallel practice both inside and outside the studio emerged and I developed multimedia projects that were “collective portraits” of towns through the intimate stories of individuals: “Eyes on Main Street,” for Riverhead, 2013, and “A Port of Views” in Greenport, 2015. After relocating to Hampton Bays, I was further drawn to engage with the Town of Southampton.

The movement of my body has always been at the source, and what I return to endlessly. I have a history and love for tribal and folkloric dance as a Mideastern dancer, teacher, and choreographer. While dancing on the streets of NYC I experienced the joy of collaborating with dancers, musicians and dancing together with the public.

Finally, I am fascinated by art of printmaking, an obsession shared with others crazy enough to be seduced by its process-intensive nature and the collaborative space of the printshop. As I create prints with my body I trace the journey of a mark transferred from surface to surface – body to paper, paper to plate, plate back to paper and returning to the body again. Eventually the mandala form emerged where patterns of parts, fragments of body, reunited to create a sense of wholeness. These artworks grew large enough to incorporate my whole body – I enacted a kind of dance, a score, on the floor of my studio.

I’ve long wanted to take these playful gestures and pleasures and share them with others, and eventually the Radiance Project emerged as a grand embodied vision. I hope it resonates and spawns new artistic endeavors for participants and viewers.

www.andreacote.com